Even though the camera was moving pretty slow through the room the addition of the motion blur made all of the difference. The Fastest Blur & Glow Effect in the World for After Effects and Premiere Pro. Photoshop Lens Blur Using Depth Maps - Tutorial - YouTube If you have a depth map, then you can customize the way you blur an image in Photoshop. It helped a lot to match the blur on set objects. I also used reel Smart's Motion Blur to generate some post motion blur. Anyone know of something like that or help setting it up with lenscare? Bump Details This section allows you to adjust the amount of blur and detail that you want your image depth map to. In the dialog box, you’ll need to adjust the settings according to your preference. This will bring up the Generate Depth Map dialog box. I could pick the focus point in lenscare but I'd love a system where you could correlate the max/min values of a z map into it and tell it the f-stop, sensor size, aperature, etc. Next, go to Filter > 3D > Generate Bump (Height) Map. For example, the job I just finished was inserting elements into a studio shot of a kitchen and I knew everything about the camera and lenses used on set (f stop, focus dist, lens angle, sensor size, etc) but I really didn't know how to translate that into an equivalent z-depth image to get a matched dof in lenscare. The key aspect during the development of these filters was to match the real thing as well. It can get you rid of long extra 3d rendering times. When processing is complete, the resulting image or video is stored for (1) one hour before being irretrievably destroyed. The Displace dialog box will appear, and you can adjust the horizontal and vertical distortion levels. A dialog box will appear asking if you want to turn the layer into a Smart Object. If you need high-quality camera blurs with the flexibility of 2d post processing, Lenscare is a great choice. When processing is complete, both the input and processed image are irretrievably destroyed. In the top menu, select Filter Distort Displace. For photographic images, the user can create. Frischluft Lenscare OFX moves depth of field and out of focus generation to post-production. The biggest problem I have with both lenscare and DOF PRO is how to match it to a real world lens. Most 3D computer graphics applications are easily capable of producing depth maps along with the rendered image. Went very nice but honestly there wasn't too many difficult items to blur (nothing really close in front of something behind). Just finished a job in AFX with Lenscare (as well as Out of Focus).
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